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San Antonio Modern Quilt Guild Mini Quilt Show

The guild I belong to recently held a mini quilt show/silent auction, where the members were challenged to make modern mini quilts measuring 16″ square to show and raise awareness for modern quilting and invite people to ask questions about what our guild does.  The event was graciously hosted by Sew Special Quilts in San Antonio, where they provided space for us to show the quilts and have our meeting after hours.  They were so awesome and have a great selection of quilting and sewing supplies, so if you’re in need and in the area, please show them some love!  

I already posted about the mini quilt I made two weeks ago (the double wedding ring mini quilt), but I wanted to share the other two quilts I worked on, in collaboration with Debra–a fellow member of the guild.  
The first quilt I quilted was pieced by Debra from yet another guild member’s inaugural fabric line (Leslie Tucker Jenison-Urban Artifacts by RJR Fabrics).  It’s a great design and awesome way to showcase a variety of great fabrics.  For this quilt, I just quilted some simple contrasting straight lines.  I think the fabrics and design of the mini are more prone to show better when the quilting design is simple.
Pieced by Debra B, fabric-Urban Artifacts by Leslie Tucker Jenison
pardon the not-square appearing mini.  It really was square, but I forgot to smooth that wrinkle before I snapped this picture.  This was right after quilting and mini was not yet bound. 
The second quilt I quilted was also in collaboration with Debra.  Debra hand cut each charm square from a Grunge charm pack and fused the fabrics to the background.  I thought this was a super cool quilt pattern to use and has the illusion that all the circles are connected.  For this one I wanted to do something to make the circles stand out from the background, so I quilted a smaller grid on the fused circles and then did some straight line quilting on the background fabric.  
Mini Quilt “pieced” by Debra B. using Grunge fabrics
We had a really great night and the event was so much fun.  It isn’t often that everyone in our guild participates in “Sew and Tell”, and we had a lot of members participate in this.  Seeing the range of everyone’s quilting interests and what their personal specialty is was a treat.  
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Love Patchwork and Quilting Issue 48!

photo provided by Love Patchwork and Quilting
fabric for quilt provided by Robert Kaufman Fabrics

Have any of you ever made a goal so outrageous that you don’t ever really even consider it to be a possibility?  You might still work towards that goal, but the hopes that it will come to fruition aren’t there.  That’s exactly how I feel about this post. I always looked at the quilts and projects in this magazine and was blown away by the talent and variety.  I’m BEYOND excited (so excited I’m yelling in all caps!) to say that this quilt I submitted to Love Patchwork and Quilting Magazine made the cover!  When I started sewing a few years ago, I joined the San Antonio Modern Quilt Guild, and someone mentioned that LP& Q was the only magazine they bought.  So I jumped on that train.  I had never heard of it, because I was very new to quilting, let alone sewing.  I was tired of the traditional color palettes that are represented in other quilting magazines.  It was definitely love at first sight, and I subscribed to it immediately.  (And ask for it for Christmas every year!)

photo provided by Love Patchwork and Quilting
fabric for quilt provided by Robert Kaufman Fabrics

I’m super excited about the photography of this quilt!  I’ve never had a quilt professionally “shot” before, so it is thrilling to see the results (and know that I have a lot to learn when it comes to my own quilt photography 😉

This quilt is something I worked really hard on, and for a long time.  I am so thankful to the amazing people at Robert Kaufman Fabrics for providing the Kona Cotton Solids that were used to make the cover quilt, and for the opportunity from LP&Q to share my quilt!

I did some custom quilting and a little bit of ruler work on the longarm to finish off the quilt.  I hope you’ll check out the quilt in issue 48 of Love Patchwork and Quilting!  Thanks for letting me share my happy news with you 🙂

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Embrace the Chaos Workshop with Libs Elliott :)

Libs Elliott was the guest speaker for the San Antonio Modern Quilt Guild Meeting!  It was so awesome to have her lecture at our meeting and present a workshop the following day.  She was such a fun guest speaker (and even did her workshop for us on her birthday!)  
Libs delivering lecture at SAMQG meeting

The workshop Libs presented for our guild was “Embrace the Chaos” and was a great way to discover some planned improv piecing.  I know I have a lot of trouble just winging it and creating something without any planning.  Libs’ workshop was a really unique presentation on how to create something similar to her code method without the use of electronics.  

This is the quilt top that I ended up with (after I enlarged the blocks quite a bit)…these are 12″ blocks, so it’s roughly 60″ x 60″.

I’m waiting for a small break in my work load until I can quilt this for myself, so I’ll post an update as soon as I get it finished!  

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A little more FMQ

I love the understated look of Superior Threads’ So fine thread for busier quilts.  There’s just enough substance there to make the quilting do its job, but not so much that the quilt is overwhelmed.  


This isn’t a super involved post–I just wanted to share a quilt that some of the ladies in the San Antonio Modern Quilt Guild put together for our past president who moved out of state.  This quilt was designed by Emily Robbins using some of the modern quilt block guides put out by Love Patchwork and Quilting this year.  Cotton + Steel prints were used in combination with various shades of grey.  It’s pretty difficult to see the quilting, but the real star is the quilt design and the fabrics.  

This was the finished quilt prior to the binding being put on.  Love the design, and I think Emily did a great job!

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Anna Maria Horner Quilt and thinking about quilting design

Ahhhhh!  I’m dying a little bit over those Anna Maria Horner Pretty Potent prints.  This is a fabric line that I adore, but never ended up making anything myself with.  So it was a special treat to get to quilt this and ooh and ahhhh over the fabrics and quilt design.  

When I first looked at this quilt, I was literally stumped at what to quilt it with.  I knew it was going to be custom quilted, but couldn’t figure out what to do with all the negative space.  I loaded it on the frame and it sat for a week.  I sketched out ideas in my sketchbook and didn’t really have any great luck with inspiration.  Finally I decided on a simple outlined design with some ruler work, embellished with pebbles and other straight lines to fill in the gaps.  

This picture has a filter on it to try to high light the thread more.  It was quilted with Glide Cloud, so it doesn’t necessarily blend like white thread would have, but it doesn’t starkly stand out from the background, either.  If I could change anything about the quilting, I would go back and double batt the quilt or use a loftier batting.  


You can see here a little better that each print fabric was outlined twice with a small ruler.  Then pebbles were added, along with some straight lines for filler to add more texture.  

I really enjoyed the process this quilt took me through, and I hope to continue to better develop my quilting design.  Usually, I can load a quilt on the frame and I have at least 2 fairly decent ideas by the next day.  This quilt really gave me a run for my money, but all in all, I’m pretty satisfied with the results.    I really love the way a quilt looks finished when ruler work and free motion quilting are combined in the same top.  Sometimes the simplest design can work and really make the fabrics and quilt pop, and other times, it takes some work and elbow grease to figure out the best fillers and accents.